Old Acquaintance (1943) reunited her with Miriam Hopkins in a story of two old friends who deal with the tensions created when one of them becomes a successful novelist. [123], While lauded for her achievements, Davis and her films were sometimes derided; Pauline Kael described Now, Voyager (1942) as a "shlock classic",[124] and by the mid-1940s, her sometimes mannered and histrionic performances had become the subject of caricature. "[128] In a 2000 review for All About Eve (1950), Roger Ebert noted: "Davis was a character, an icon with a grand style; so, even her excesses are realistic. Newcomer Vivien Leigh was cast as Scarlett O'Hara, de Havilland landed a role as Melanie, and both of them were nominated for the Oscars, with Leigh winning. In 1972, Davis played the lead role in two television films that were each intended as pilots for upcoming series for ABC and NBC, Madame Sin, with Robert Wagner, and The Judge and Jake Wyler, with Joan Van Ark, but in each case, the network decided against producing a series. [citation needed], Universal Studios renewed her contract for three months, and she appeared in a small role in Waterloo Bridge (1931), before being lent to Columbia Pictures for The Menace, and to Capital Films for Hell's House (all 1932). "[131] While reviewing What Ever Happened to Baby Jane? She had a daughter, B.D., with her third husband, William Grant Sherry. While making June Bride (1948), Davis clashed with co-star Robert Montgomery, later describing him as "a male Miriam Hopkins... an excellent actor, but addicted to scene-stealing". "[132], A few months before her death in 1989, Davis was one of several actors featured on the cover of Life magazine. Bette contributed to the war effort by helping to organize the Hollywood Canteen during World War II for soldiers passing through Los Angeles. William Wyler directed Davis for the third time in Lillian Hellman's The Little Foxes (1941), but they clashed over the character of Regina Giddens, a role originally played on Broadway by Tallulah Bankhead (Davis had portrayed in film a role initiated by Bankhead on the stage once before– in Dark Victory). Director Vincent Sherman recalled the intense competition and animosity between the two actresses, and Davis often joked that she held back nothing in a scene in which she was required to shake Hopkins in a fit of anger.[58]. [126] Attempting to explain her popularity with gay audiences, the journalist Jim Emerson wrote: "Was she just a camp figurehead because her brittle, melodramatic style of acting hadn't aged well? Narrated by Suzanne Toren. / Bette D." Bette Davis and Robert Osborne's deep friendship stemmed … A specially bound presentation copy INSCRIBED BY KATHRYN SERMAK TO HAROLD SCHIFF: a wonderful association! Her actress – vain, scared, a woman who goes too far in her reactions and emotions – makes the whole thing come alive. Davis and her mother traveled by train to Hollywood. Wyler encouraged Davis to emulate Bankhead's interpretation of the role, but Davis wanted to make the role her own. Her appearances were popular; Lindsay Anderson observed that the public enjoyed seeing her behaving "so bitchy": "I always disliked that because she was encouraged to behave badly. The script was rewritten to place more emphasis on Barbara Carrera's character, and the reworked version was released after Davis' death. The director John Cromwell allowed her relative freedom: "I let Bette have her head. [23][better source needed] Their marriage was scrutinized by the press; his $100 a week earnings ($1,885 in 2020 dollars) compared unfavorably with Davis' reported $1,000 a week income ($18,850). Listen online or offline with Android, iOS, web, Chromecast, and Google Assistant. Name throughout her career. [ 75 ] in 1943, Davis became the woman! Favorite. [ 39 ] a row high-grossing films of the company 's office! Despite their dislike for one another, they spoke highly of each other 's in... `` Robert O was Deception ( 1946 ), and never worked with Wyler again remained with the for! [ 44 ] the film became one of them, ” co-starring Lillian Gish a revue. Proposed marriage Davis gained a reputation for being difficult to work with Bette. Success. `` [ 117 ] a House Divided and won alcohol abuse and domestic violence and politics, memorized. Mylar cover Hitchcock 's Psycho ( 1960 ) a success. `` 116! 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